Kaafiron Ki Namaaz : Movie Review

Three years back, when I heard the soundtrack of this film, I didn't know that actually watching this film, would be such an experience ! It certainly is not an easy film to watch. It jolts you from inside, it makes you think, ponder over many issues which are (and will be) a part of any society, any country, despite the fact however advanced and 'civilized' it becomes. Where feeble issues and brittle slogans and jingoism has place while the pandemonium behind their back, hits deaf ears.

Set in Kashmir, the first 10 minutes takes you on a whirlwind of expressions and happenings. This is not your usual 'beautiful valley' Kashmir. Neither it is 'just another terrorism wala movie' Kashmir. The haunting shots of empty streets and a stunning and equally depressing aerial shot of the lake will still not make you ready for whats coming next. Further most of the film is set in just one room [and a bathroom] this is something most unique I have ever seen. A court martialed army man, his friend and a musician- a tea vendor and a writer. The three confessing their most personal secrets on a rainy Christmas eve that leads to those shocking revelations and layers of lives and lies we all are living in.

While the trailer was launched, it got me intrigued how, how a movie can be shot in just one place. With just a few characters. Of course there are a few movies with such setup. But still, it is not an easy job to make people glued at screens with such limitations. Here, DOP A.Vasanth does wonders with his games with light and shadow, aided by Jyoti Sankar Bhattacharya's art direction. This brainchild of Ram Ramesh Sharma, writer and director, gets perfect team for this dark tale. Perfection is in casting as well where (Late) Chandrahas Tiwari, Alok Chaturvedi and Megh Varn Pant, soaked in their characters, strip themselves on screen by opening pages and pages of their own book of dark secrets. In the end you get to experience something never before on screen. Despite of such perfection on all fronts, Music of Advait Nemlekar leaves its own impression on you. While Sawaalon Ki God Mein starts off the film on a curious note, Jhalkiyaan shakes you by the time it reaches on its climax (uniquely done, again, with animation) and mysterious Yeh Raat Monalisa adds yet another layer of darkness.

Its really unfortunate that our censor board still haven't grown up, or say has gone back to bygone era, that such movies are proposed to be shredded in order to get public release. May be, because it shows us the mirror, we are scared to see how ugly we look to ourselves. Thank you and Kudos to Producer Bhargav Saikia, for taking this revolutionary step to release this film, that already has seen many festivals worldwide, for everyone. Way to go ! Here's to more such awesomeness, called Cinema.

My rating : 4 / 5.
Here is the link to watch the film : Youtube.

P.S. Bold language used, and some sensitive arguments. If you are easily offended, you are warned. 

Bombay Velvet : Movie Review

What's wrong? I mean what is wrong with us - the audience. On one hand we cry out for 'lack of original' cinema. One one hand we shout about typical masala movies ruling the crores clubs. And here, on the other hand, moving ahead of all formulas, sticking to the script, Kashyap dedicates his everything to a movie so rich and fulfilling cinematic experience - we all thrash it out. Like its a sub-standard C grade movie ! Well, I am writing this not because I suddenly got symphathetic to one of my favorite director. Nor I am a bhakt or #inAnuragWeTrust guy. Nah. I don't even like a much acclaimed film from his stable - Udaan. But I am writing this because there is this trend on the rise - trend to start thrashing a movie, say killing a movie from Thursday night itself. To show-off how brilliantly we can influence things thru social media. How my handle / my blog / my reviews matter so much that I can even make Anurag Kashyap to type an FB update about moving on. Hah...

The movie, is surely a treat for me. For someone who love the city of dreams, it must be. Thankfully, I had read Mumbai Fables, a really well researched history of the city by Gyan Prakash. And it shows in the movie that every minute detail of the growing city is being taken care of. Even the very first minute has the Air India hording 'Nariman had a point... and we are at it'! You know what lies ahead. A riveting tale with absolutely sharp twists. Sprinkled with jazzy sexiness. The suave treatment shines throughout. The period setting is just too perfect that not a single thing skips away. Be it the Art Deco buildings or furniture, be it the warring tabloids, be it the mill chimneys or the 'secondary' headlines right below the major one. Everything is taken care of and it shows. The result - you are never bored throughout its (long) running time.

Music. Ah. The music. I never found the album much interesting, or say I had not given it many listens. But here, right from the beginning it gets you. From the opening shot to the end, Amit's score never leaves you. Be it the background score or the opulent jazzy tracks, with all those glamour and shine all around, it made me go Whaa! at places. There is a full song dedicated to Nanavati case, the most famous at that time ! Must mention here, Anushka's acts. She seems so natural as if she is really singing those song. Her 'Dhadaam dhadaam' being absolutely amazing, I would give all the awards to her just for those expressions.

Talking about performances, Ranbir ! How charming and raw goes hand in hand with his portryal of Balraj ! Earlier I had many doubts about him being in a role of tapori/fighter. But here he is totally convincing and plays his part so well, it seems he is perfect for the role for which he was third choice ! I can't believe there are people saying RK's performance is even bad than Besharam ! Ouch. Playing the Godfather of Balraaj, Karan Johar is surprisingly good. Even he couldn't have imagined himself. Jokingly not just people but even I told everyone how he is a bad choice as a villain (because, you know !) But Kashyap knows this and with his own control, the controlled moves and camera work, Khambhata makes a menacing villain. And Anushka, ah, she looks ravishing and the expressions makes each song perfect. Be it first song of Rosie's career - Fiffy or the one when she is star - Naak pe gussa or the situational - Sylvia !

Bombay Velvet is indeed a fine piece of cinema which has less indulgence (if you expect that from AK movie) and more dedication. But you have to have idea whats going on here. What went in making the seven islands into one-the densest city in the world. Bombay Velvet is that story. Story of Bombay !

Hawaa Hawaai : Movie Review

What a man ! Amole Gupte - that rare someone who refuse to deviate from what his heart says. Staying true to his story and show us the best on the silver screen. After Stanley Ka Dabba, his Hawaa Hawaai is one such movie that melts your heart from first to very last frame. Fortunate we are to have such a movie made in today's crore clubs.

Yes, its just another 'achievement of an underdog' story. Yes, it has same old elements of child labor and poverty. But still, its Gupte's own touch that makes it an experience. Story of Arjun who works at a tea stall, dreaming of flying on skates. How his four friends and the coach makes the dream come true is such a heart warming tale.

Written and directed with all his heart Amole at many places, extends his trademark sequences previously seen in TZP and SKD. But no complaints there. How sweetly he gives us bitter dose of reality ! The team he employs for this adventure, is one of the best ensemble of recent times. The 5 kids - Partho Gupte, Ashfaq Bismillah Khan, Salman Chhote Khan, Maaman Menon & Thirupati Kushnapalli. (Surprisingly there is a backstory of this team. Apart from his son, all four are from Gupte's theatre workshop for underpriviledged children-Aseema ! Respect.) Each kid has timing so perfect that can put any superstar to shame. Add to that brilliantly penned lines, harmless genuine fun the proceedings are. Partho is such a gifted boy, even at this age, such a mature performance without any glitches, such a natural actor ! On the other hand, Saqeeb Saleem as the coach, charms you from the very first scene. Making the enthusiastic coach's character totally believable. Wonderfully he portrays the transformation by the time he reaches the goal. Neha Joshi, perfects her part as worrying mother of Arjun.

I was a bit sceptical about the movie, blame it on poor publicity or as always my ignorance for sports movies. But now I am in love with it. This is such a little movie with big heart. Which should not be missed at any cost. I don't understand why critics don't come out of there 3/3.5 stars rating. Movies like this, should be rated highest. Must be watched, for the love of cinema.

Goliyon Ki Raasleela : Ram-Leela : Movie Review

Where Ramleela fell short is that 'intense feel' in initial parts which SLB chose to describe the rivalary and bubble-gum romance with those rhyming smses, instead . But all that makes sense while the film progresses and how ! The sizzling chemistry between the lead fueled by the interesting twist of turning the tables, while nearing the climax - Ram Leela ends up as a spectacular tale of passion amidst all the odds. 

Have always been a fan of SLB's 'colorporn', the grandeur scale, fluttering props and flowing colors in each frame - is more a treat than a distraction. When it comes to larger than life drama, set in a place you have never been to - SLB is master story teller. Despite of being unreal-he makes you part of the ongoings, call it OTT, it works ! The right mix of comedy, action, melodrama, romance and songs, studded with Sidharth-Garima's clever lines - everything goes extremely well with eye of cinematographer Ravi Varman. Each song is done perfectly. Worth mention are, Ang Laga De - sensuous at its best. And the color-splashed chorus-filled all songs. Just one - Laal Ishq left me wanting for more. How I wished that song would be.. sigh. 

And more than that, what excels in each frame is his actors. He knows them so well, even a single shot is not sleepy. Apart from being an eyecandy, Deepika burns each frame of celluloid. Be it the energetic moves in the songs, the ticklish mush or kohl-eyed scenes in finale, yet another stupendous performance she delivers. Despite of the competition, Ranveer too makes his mark. From humourous parts full of Gujju dialogues in first half, he equally shines in intense second half. And the third lead  - yes, not supporting but - Supriya Pathak literally emerge as the third lead of the tale. Power packed performance with magnetic presence, she perfectly manages to make believe how powerful the leader 'Dhankor' is. Though there wasn't much scope, would have loved to see more of Abhimanyu Singh, Richa Chaddha and Barkha. The two ladies especially spells fire in whatever short screen time they have. 

Trademark SLB movie Goliyon Ki Raasleela : Ram-Leela is. Everything is grand, but has heart at its place. Everything is  perfect - as 'cinematic experience' should be. Ram-Leela, is, a must watch for the magic of celluloid.

Chennai Express : Movie Review

To put it very straight in the first sentence itself - I loved Chennai Express ! (So that you can decide to continue reading or not). Whenever there was a talk about Rohit's movies, I used to call them 'Shitty' movies. There were many reasons for believing that. Till date the only movie I liked of him was Sunday. Bol Bachchan was after all a remake, hence it was passable because it had tried and tested storyline.

 

What works here in Chennai Express is its stars. Tons of material has already been written about fall of SRK by doing this 'silly' movie. But hey ! This IS after all a Bollywood movie. A super masala entertainer that doesn't go for realism, antique frames or technically perfect. It is made for entertaining the audience and it does. Then why not SRK - the biggest entertainer of the country? (And no, my Aamir-bhakti is being deviated when I am saying this ;)). He charms you yet again when wearing those shades giving hand to the girl trying to catch a train. He charms you yet again when after saying I Love You, that cheeky smile he throws and girl is flattered. He goofs about his own movies. Yes, this is what SRK is all about. And for this movie - either him or no one else. Talking about irreplaceable one - Deepika is definitely the one too in CE. Though in safe zone she is, playing a Tamil girl, but sure it must have been tough getting everything right. And she shines through each frame. From looking drop dead gorgeous, to acting perfectly to the T. At places she reminds of Geet (after all, she has become iconic for 'free girl' portrayal), but leaves her own mark. Both, together, look great on screen. I would totally vote for a love story starring them together.

 

Despite of being a movie about South India, thankfully Rohit Shetty has stayed away from making cheap laughs out of it. The situational fun is very valid throughout the movie. Though there are garish, loud moments (a la Shetty) but being few and far between, it doesn't harm much. No forwarded sms jokes, no homophobic jokes, no dual meaning jokes - Thank You Rohit for keeping your dialogue writer in check. Picturised beautifully in Konkan, each frame is so colorful, though overdone, everything on screen looks lovely-celebratory feel. Contemplated by a fine soundtrack by Vishal-Shekhar, songs are fun. Specifically, Titli and Kashmir Mein has FANTASTIC visuals. Loved how they are picturised. And those majestic shots of Doodhsagar falls and Rameswaram.

 

Love SRK? You should see this. Hate SRK? You must see this. Yes its that kind of movie which you can't miss out if you are looking for fun ride.

 

Tags: Chennai Express, ready steady po, priyamani, deepika padukone, kombam, meenamma, halwai, underestimate the power of  common man, goa, doodhsagar waterfall train line. 

Yeh Jawaani Hai Deewani : Movie Review

 

Can you remember when was the last time, people went mad on just one song and rushed to the theatres only to make a movie hit? Not in recent years, right? Well, Yeh Jawaani Hai Deewani did exactly that. Just in first 2 days, it has racked in 40 crores. That's a big deal. And who's smiling behind these figures? Its Pritam, whose utterly commercial, dhamaka hits made this movie sell like hot cake. Otherwise, Ayan Mukerjee is a name that is not 'this' famous that can attract people to the theatre. (Though, no doubt Ranbir is there too spell his magic). In short, YJHD is clearly a Pritam movie and not Ayan's.

 

Why? Because this is not that Ayan who made the cuddliest movie - Wake Up Sid. At places you see sparks of his touch, but those moments are only a few in this popcorn mush. Credit surely goes to him for some wonderful moments like Deepika-Ranbir in Udaipur, the final scene between dad and his son. Also, the first half was absolute fun, where Kalki shines with her tomboyish avatar. Its only the second half, that is a bit stretched and with many deja vu moments that are by now typical in

 

YRF/Dharma movies. Thankfully the songs save the day in otherwise dull development of story.

Talking about acts - Ranbir is ofcourse first rate as always. He speaks with his eyes. (and oh, that tattoo on right wrist :)) And with Deepika, he looks just perfect. Even better than their first one together (BAH). Deepika seems brightened up just by presence of him. And obviously, gives a perfect performance. Though this was her regular kinda role. (just changed places which she did in Cocktail). But besides looking stunning, her act too leaves a mark. In supporting cast, Kalki is the best one. (Meh, Aditya Roy Kapur - Mr Shake-head). In tomboy avatar she steals the show in second half, despite the fact that she portrayed a short / average part in next half.

 

Shot wonderfully in Manali and other parts of the world, the colorful pallette throughout the movie makes it look really good on screen. Just one complaint- too much of liquor talk / scenes there that one gets fed up by first hour itself. On the other hand, music gives the movie a solid support whenever the strings of screenplay gets loosen up. Not just songs, but the background score, done by Pritam, is fantastic. (add a wonderful added short track in climax).

 

Overall, YJHD is definitely a watchable movie. Becuase of leads' acts, its music and Ranbir and Ranbir. Yes, everyone had big expectations and obvious that is. But well, I think in our country everyone is so obsessed with Shaadi things, one can't resist it - not even our films.

Tags : Yeh Jawaani Hai deewani movie review, film review, ranbir kapoor, ranbeer kapoor, deepika padukone, kalki koechlin, pritam chakraborty, badatameex, dil, kabira maan ja, new song in yeh jawaani hai deewani, last song, climax song download.

Aatma : Movie Review

Starting off on a very positive note, Aatma promises a goose-bumpy ride ahead. But soon, you realize that there is hardly anything there in the script to keep you hooked to. That intense feeling, is missing. The moments that shocks you to the toe, are few are far between. Director Suparn Verma's first horror outing, is sleek though. There are no hiccups on technical side, neither on deja vu. Everything seems pretty 'in the place' with no typical make-ups or characters. And, phew, no songs, apart from a brilliant lullaby as opening credits.

Performances are definitely a plus point. After all, you have an experienced 'horror' star - Bipasha ;) and Nawaz on board. But the supporting cast leaves no mark despite of having Shernaz Patel, Darshan Jariwala and Jaideep Ahlawat on board. The girl, Doyel Dhawan looks pretty and acts her part as she should. (except the giggles which, towards the end of the movie, starts to annoy you).

Thankfully, the apart from few goosebump moments, the best part of Aatma is its length. At 95 minutes flat, it doesn't harm you while watching it (if you are watching the discounted morning shows). Being a fan of the genre, this pretty disappointed me (no Chudail, no Aghori baba, no back story that dates to 50yrs back) sigh. On a serious note, Aatma has that potential to make a decent (!) horror flick, but lack of tension in script kills it. Can definitely bet on Suparn's next one, if he is making. Surely look forward to his another horror outing. 

My rating : 2.5 / 5

Tags : Bipasha Basu another horror film, nawazuddin siddiqui, jaideep ahlawat, suparn verma, 2013 horror films, bollywood, movie review, aatma

Kai Po Che : Movie Review

The very first sequence, a poised one, hints the cinematic excellence that is about to follow in next 120 minutes. Director Abhishek Kapoor travelling through a totally different journey in this film unlike his urban Rock On ! And still, gives a movie that is going to linger in your mind for long. Be it for its actors or the music or the setup. Following the content of the book on which it is based on (with different, and much better climax), Abhishek surprises us by giving a movie that is so better than its original source ! (To be frank, I don't have any problem with Chetan Bhagat's books. I call him 'masala writer' ;) And was waiting for this book to be converted into a film, since it was based on 'my' city - Ahmedabad).

Set in older parts of Ahmedabad, Kai Po Che instantly sucks you in the world of the 3 friends. You can't help but identify each of them with actual persons you've met in real life. Govind, played by Raj Kumar Yadav has this gifted ability to slip into his character so well you can't separate the two out. As a person desperate to change his life by making his own business a successful one, Yadav impresses with his somewhat goofy yet likable act. Amit Sadh on the other hand has really an interesting part with occasional dark shades to show, and he perfects it without any glitch. His maternal uncle, Bittoo mama, played by Manav Kaul - is so effective as manipulative Hindutva party leader. But the star of the show here is Ishaan - Sushant Singh Rajput. In his very first film, he charms you, he impresses you and makes you smile with tears somewhere in the corner of the eyes. Ishaan - who sees himself in talented little cricketer Ali (Digvijay Deshmukh) and determines to make him go places that he couldn't. Moments between Ali and Ishaan are done so well, you can't help but smile. On the other hand, you just want to run and jump in the sea from above the fort with your friends while the song Meethi Boliyaan is playing. 

Making just a two hour long film that's based on a book, that is 'this' effective, is not an easy task. But thankfully, screenplay by Pubali Chaudhari, Supratik Sen, Abhishek Kapoor & Chetan Bhagat makes it possible without any useless track in the tale. My biggest worry of - how the riots will be portrayed on the screen, as there is a big chance of getting cliched. But Kapoor treats that part so subtly  it is hardly offensive to any certain community. Even the local dialect is taken care of, sample : Baka, bhailu, dafol and lot more. Technically everything is perfect. Anay Goswamy captures parts of the city so wonderfully that it hardly feels that it is not actually shot in Ahmedabad. (Yes, its shot in another town). The dark moments are so effective with the camerawork. And the sound design - When there is a temple on screen, you can feel the kirtan, when two lovers are goofing around each other during a Navratri night, you can hear Garbas being played at distant. Thanks to brilliant sound design by Baylon Fonseca. And the tension built up in sequences of Earthquake and riots - are not the usual one thanks to Hitesh Sonik's brilliant background score. And oh, the short but awesome soundtrack of Amit Trivedi ! Just can't get enough of all three songs. Picturised as brilliantly as the songs are. 

Kai Po Che - is a brilliant example of how effectively a movie can walk on path that is bordering on class as well as mass entertainment, without having any known face - big star to sell it. Cinematic excellence - perhaps, can be defined in that way. 

My Rating : 4 / 5

Tags : Kai Po Che movie review, 3 mistakes of my life, chetan bhagat, kaipoche, wadnagar shooting, amit sadh, yadav, rajkumar, sushant singh, amrita puri, manav kaul, abhishek kapoor

ABCD - Any Body Can Dance : Movie Review

When I saw its trailer for the first time, I thought, why is this being made in 3D ? (And mind it, no Step-Up fan here. Haven't seen a single shot from the series). But after being blown out by the dance sequences of ABCD, now I think there is no other way to make a Dance movie. Yes, Remo D'Souza's bet on 3D is pretty much bang on target. Forget about Hollywood, just do not compare its dance movies with this - because this one is all in all a desi outing. And you know that from the start itself when the thumping 'Shambhu Sutay' comes up on screen with Ganesha Visarjan sequence. (What surprised me that people in audience were actually 'identifying' the actors. Yes, those actors who were actually part of various dance-reality show !). 

You can't expect actors to be too good when watching a dance movie, isn't it? But still, for their first movie, the bunch of young actors are actually good if not 'too good'. Especially Salman Yusuff Khan and Dharmesh Yelande. And well, the movie is all about Prabhudeva v/s Kay Kay Menon. Good v/s Bad. And both plays their part very well. The southern twang actually works in favor of PD. Its a pleasure to watch his confrontation scenes with Kay Kay. And absolute joy it was to see him in an almost 10 minutes long solo performance right before interval. In one brilliant moment he just flutters his jacket back. You just can't help but give a shout out / whistle. 'Motu' Ganesh Acharya provides comic relief.

Sachin-Jigar's soundtrack is inseparable part for this out and out dance movie. And its not like that the song/dance are just thrown in between. From introducing the characters in Shambhu Sutay, to revolution-kinda sequence of (amazingly shot) Bezubaan, to gloomy Duhai Hai and grandeur of climax - Kar ja re and Ga-Ga-Ganpati. Everything is right in place. You just go awww...oh..whoa ! with each move and each song. The climax is one of the grandest I've ever seen on screen. Don't know whose idea this must be - but Vijay Kumar Arora's camera brilliantly put up dances with themes of Earth, Fire, Water and Air, each in a different song. No wonder, when a choreographer is making it - such surprises has to be there. 

Remo D'Souza has made one hell entertaining film with lot of efforts that shows. With all the innovative moves and splendid execution of dance sequences, it makes you glued to seats, shouting and whistling out unabashedly. And that too - not for a 'big star' but the crew, that stays behind the camera - Choreographers !! Just do not miss all this fun. (And, if you catch it, again, do not miss the end credit song. Such a delight to see the all four of them together.)

p.s. : Step-up fan? Stay away from it if you want to compare and can't praise the efforts behind this. 

Tags : ABCD Movie review, anybody can dance, any body can dance, remo d'souza, terrence, salman yusuff khan, ganesh acharya, lauren gottlieb, rhea riya, Shakti mohan, noorin sha, prince gupta, vrushali, dharmesh yelande

David : Movie Review

Not an easy task it is, to depict multiple stories, different scenarios in a single film. As we've seen in past, it needs a really good screenplay to keep the viewer glued. And in David, Bejoy Nambiar goes one step further, as all three stories does not connect with each other except for the last 'few' minutes. Despite of that fact, David ends up in an engagingly told tale of similar named protagonist living in different times - 1975, 1999 & 2010. Played by Neil Nitin Mukesh, Vinay Virmani and Vikram, respectively. Each living a different life. One is a gangster, other one is aspiring musician and one - a jobless drunkard 40-something guy in Goa.

Unlike other films, here all three stories reveal parallelly despite of no identical connections. And that, is a good idea to keep viewer hooked. Because otherwise, each track has its dull moments that if told individually, movie could've been lagging. Neil's track is shot in B/W and the trick is too effective with mystery and tense tone. Similarly Mumbai - has pretty lively mood with Vinay's act that goes into gloomy feel and the trauma of a victim, with rains. While colorful Goa serves as relief with Vikram's flawless act of goofy drunkard, with added charm of Tabu.

David - is technically superior on each front. Be it lavish shots of London's homes and streets, the moods of Mumbai, or beauty of stunning night shots of Goa. Each frame is perfect. And the action sequences done with utter finesse. And the songs - as a standalone OST I wasn't fan of it. But after watching the songs in the film, I am pretty surprised how well it has been integrated. Ghum Huye haunts while connecting the three dots while Mast Kalandar and Ya Hussain are again cleverly fitted against action sequences. And Tere Mere Pyaar Ki was too lovely.

Its tough to choose which David was the best in the film. Each one has its own presence. Not a big fan of Neil, but here the director cleverly gives him minimum dialogues. He looks dapper and menacing altogether. Paired with him, Monica Dogra is the weakest linkof the film. Don't know why she was cast where the story needed a powerful woman - that also, with 'Urdu' background? Vinay was surprise package. Never have seen his work before, he charms you instantly. Unusual pairing (can I say that?) with Lara Dutta. But the relationship is sensitively taken care of. While Vikram, who again, charms despite of being a weird  drunkard, and (often) beats women !! (fun part though) Tabu is as always a pleasure to watch on screen, and Isha besides looking stunning, plays her part well.

Overall, David a fine film that may be limited to selective audience because of its 'more talkative' nature. But it keeps you engaged with on-goings on screen, shocks you and delights you at the same time in its own ways. Would recommend for sure. (and if you want - my rating is 3.5/5).

Tags : David movie review, shaitaan, monica dogra, neil nitin mukesh, vinay virmani, bejoy nambiar, sarika, lara dutta, rohini hatangadi, vikram, tabu

Vishwaroop : Movie Review

There is this character, played by Pooja Kumar, who always has that 'whats happening here?' expression throughout the movie. Exactly same feeling was there on audience's face. It is a worrying condition when you are watching a Thriller. Massive production values and scale doesn't help out Kamal Hassan's latest ambitious project - Vishwaroopam. Dealing with terrorism (oh Oooh) of Afghanistan and US of A (Le sigh) the movie has a great scope but falls short because of its sluggish pace, lack of urgency in screenplay and too less thrilling moments.

No doubt it packs some brilliant moments. Like the one where it shows how childhood is lost among those gunshots (children playing shoot shoot). Feelings of a young suicide bomber. Life and times while living amidst missile launchers where gun cartridges are sold in grocery stores ! Also, there is no looking back when you see Kamal devoted to his role. Technically the film is at par of any Hollywood flick. It hardly seems that this one is made/shot in Indian studios majorly. (Yes, Afghanistan was in India!!) But the issue is with pace. After painfully slow half an hour, it picks up with a startling fight sequence. Again it offers a promising ride when it flashbacks to Afghanistan. But soon, again, it triggers back and come to leisurely pace. The breathtaking shots of Afghanistan seems no novelty after a few moments. Rahul Bose' character loses its grip  among too many characters. Add to this - the songs.

And wonder why a 'man on fire' always has to battle just for one bomb that may destroy whole city ? If it is so, why can't we make such climax an 'edge of seats' one? Similar was the problem of Agent Vinod. Vishwaroopam, even pwns that one. It climaxes so abruptly, it reminds of how Ek Tha Tiger ended. All of a sudden.

Having seen 'huge scaled' Dashawatharam I was betting high on Vishwaroopm, but it disappoints on equal scale. Wish this would be edited on in a crisp way, then the last announcement - a sequel could've been exciting.(is it a right time to stop making films about Afghanistan+Kashmir?)

Tags : Vishwaroop movie review, vishwaroopam movie review, pooja kumar, shekhar kapur, dawkins, rahul bose, jaideep ahlawat, kamal hassan, rajkamal.

Kadal : Movie Review

With a dramatic sequence that moves you to the core, title sequence rolls out with Magudi Magudi - you can imagine what awesomeness lies ahead in the latest offering of Maniratnam. It would be unfair if we compare (many reviews did) this with his own past works. Even the finest creator - can't recreate the magic once he does. And each unique thing he creates - there is something that you can not avoid. Kadal - is a drama that moves with poetry, beauty and moods of Kadal - the Sea. 

After that moving start, the story moves in an engrossing way. With entry of Father Sam (Arvind Swamy) in the village and how he meets kid Thomas (played by brilliant kid, who is he?). One of the best sequence in the movie features between the two - and a tape recorder. Grown up Thomas (Gautham Karthik) who now share father-son like bond with Sam, meets Bea (Thulsai Nair) and 'kahaani' goes further.... You assumed? Well, no. Yes, a 'star-kids' launchpad this is - but Mani sir knows how to launch them. Mixing up the story with the moments that are perfect for new stars is brilliantly done here. You go 'whoa' when (in a very cliched way) in a long cut - you see our kid hero converting into an adult. You see that cute girl next door, but only later understand why she speaks in such a charming way. Everything has been taken care of - carefully. 

Beauty of Kadal lies in its fascinating audio as well as visuals. As always it is - in a Mani sir's movie. Rajiv Menon beautifully portrays moods of the sea on screen. From being breathtakingly beautiful, to mysteriously dark and ferocious. And how I can not praise Rahman's score in here. How a scene would be incomplete if Anbin Vasale wasn't playing in background? (I was in tears at that moment). Colors in Elay Keechan. And those mesmerizing Moongil Thottum and Nenjukulle moments. Sigh... Though only one song I feel wasn't done well - Adiye. Otherwise, the songs are alone the reason to watch the movie again. People who are complaining about song placement - well, this is after all, a MOVIE. Why are they looking for more 'real' things here? 

About the pace of the movie - yes. Screenplay needed a few cuts here and there. That would speed it up a bit. But given everything was fine, performed well by the actors, I didn't feel it was dragged. Gautham Karthik - for his first movie, looks promising. Though there are places where he falls short, but clever direction, saves day for him. While Thulasi Nair looks lovely, and plays her (rather short) part with all the charm. Its the lead characters (as I call them) Arvind Swamy and Arjun - the good and the bad - who steals the show in this story. That calm aura and charm Arvind has on his face, works seamlessly throughout the film for his role of Christian Father. While menacing Arjun's eyes does talk when he doesn't. Really powerful his portrayal of 'Satan' is. (Need to find more of his works).

Kadal - in totality is a treat for movie buff like me. A treat for eyes, ears, mind. How finely it mixes up the 'launchpad' formulas parallely with a meaningful story & Oh God, how striking is beauty of the sea. Watch it - for the brilliance, called Maniratnam. 

Tags : Kadal movie review, Celina, Lakshmi Manchu, Thulasi nair, tulsi nair, gautham, gautam karthik, karthik son, maniratnam, a r rahman, arjun, bergmans, father sam, thomas, 

Matru Ki Bijlee Ka Mandola : Movie Review

There are films where you are not spoon-fed by the maker. You can not expect the expected. And you see what you don't see in a regular potboiler. Vishal Bhardwaj is surely that one guy who makes you feel these things. No doubt why his are one of the most awaited projects always.  

MKBKM was that highly expected project since its inception. And that's the prime disadvantage of this marketing strategy. Your expectations go too high that everyone is expecting a fantastic movie. (anyways... leave that). MKBKM is a mad mad story of mad mad characters living in village Mandola. And how 'mad'er is can get then a Pink - smiling - Buffalo !! With unreal people in realistic background, Vishal and Abhishek (Chaubey) gets viewer hooked to the film since very first sequence. But unfortunately it doesn't last too long. Sreekar Prasad's editing misses its mark at many places that goes over-indulgent and induces a few yawns here and there - in first half !! Thankfully, the twist right before intermission (though expected) and the table-turn events in second half, keeps the pieces of story together despite of the occasional lags. Biggest help here, comes in form of Pankaj Kapur. He is the strongest pillar of this '3-persons-playing-title-role' story. And not to forget VB's own sparks that are hard to miss out. Beneath all this madness, the treatment of the movie makes you silently gulp down bitter truth. Besides lagging editing, technically the film is excellent. From background score to DOP, you can not ever complain in a VB movie. And ah, the songs - most of them which didn't work that much out of the movie, 'in the movie' they are inseparable. Perfect? no?

The film drives on its performances. Or say - Pankaj Kapur. As 'double personality' guy - Mandola, he yet again excels his part that no one can. There hardly is a moment where he misses the right note. Imran Khan is (surprisingly) good as the educated-yet-happy-to-be-desi guy. Won't say much about his character, but he definitely surprised in a 'dehati's role (being his past record as chocolate lover boy). Anushka - well, baby, its time you invent a new style that doesn't look like your last movie. She's fiery as always but aren't we tired of her outspoken-full of life-lot of sparks-act? Shabana - ah, fabulous she was, just wish we could have get to see more of her. Even, the kid who just plays a blind village boy - is difficult to forget. 

But let me warn you. MKBKM is full of those VB moments which are not easy to gulp down if you are not a fan of his work. Watch it for that awesome combo of director and his actor - VB meets PK. 

Tags : Matru movie review, mkbkm movie review, matru ki bijli ka mandola movie review, film review, movie review vishal bhardwaj, mao, maao tse tung, matru is mao

Dabangg 2 : Movie Review

So, the big Dabangg Theory got repeated (as expected), but with a different director. Now that's fine they did not retain the original director, but a first timer - that too - actor turned director. Well, you got my messege, hai na? It was Kashyap and the 'new, fresh' factor that worked in the first one, while in this, the 'repeat' theory makes everything predictable, and at places - lethargic. Well, keeping it shot, here's what worked and what not -

What Works...

1. Sal-Man-Khan. Of course. He still manages to keep eyeballs glued on screen. Be it his mannerisms, or his own style of fight-dance-romance. Chulbul Pandey - still is as likable as the first one. 

2. First half. It passes out fataafat. With some quirky fights scenes and the standard Chulbul fun. 

3. Crisply done action sequences. One can't help but shout at all the moves of our superhero. 

4. Music. Yes, don't kill me for this, but the songs 'actually' works well in the film. Especially, 'Pandeyji seeti maare'. 

5. Ah..well, that's it !

What doesn't ....

1. Same old premises. Offers nothing new, exciting. Despite of having some brilliant actors on 'villain' front. 

2. Sloppy second half. Things get too slow you tend to think if the script has got stuck by Fevicol. 

3. Exciting fight sequence in climax - that ends so unexciting-ly.

4. Boring-yes, boring item song of Bebo. Was expecting a blast, that was missing. 

5. Bimbo - a.k.a. Rajjo a.k.a. Sonakshi. Who does nothing but overtly sweet somethings with hubby dearest. I mean come'on, who agrees such movie where you are limited to "Baba aap roti khaiye. Aur khaiye na" kind of silly scenes. (though both of them look great together, kaun-baba?, nahi yaar, sallu) 

Overall, its not good, not great. Just a timepass flick, that you can watch with friends in upper stall, to shout together and have some fun. 

Oh wait, there is a 3rd installment too. Its clearly hinted. Go save your souls. 

Tags : Dabang 2 movie review, Dabangg 2 movie review, salman khan, arbaaz khan, mahie gill, sonakshi sinha. film review dabangg 2, dabangg 3 trailer, promo

Talaash : Movie Review

You know whats the problem with Aamir Khan? When you see him on the screen, you don't actually see Aamir Khan, but the character himself. And not that I am complaining, actually. As usual, here as Inspector Shekhawat, he steals all the accolades as the stoic, intense guy. But just because he is present in front of the camera, the 'expectation bar' soar high, a big task for every director.

Starting off with a crackling opening sequence, Reema Kagti's Talaash doesn't actually follow the suit in the rest journey. But the things that make it work are plenty - sleek production values, sharp camerawork (K U Mohanan), taut acts, fantastic background score and pretty apt songs. Getting everything together, makes it almost a 'should watch' experience, if not 'must watch'. What the movie lacks is - that required punch. Those deep secrets, intriguing suspense - which otherwise here, is pretty simple. The intention of murder is revealed pretty easily, one could imagine even before the intermission. And the MAIN surprise element, too, is hinted in 2 scenes, very early in the movie. What really appreaciable is - the dark shade of the movie. Exploring dark side of the city, dark moments between the couple who has lost their son only recently and the dark side of human emotion. But to tell that side of the story, movie lags in second half - touching 2.5 hours which for any thriller, is quite long. 

Both actresses - Rani and Kareena are in their safe zones. Doing what they already did in past films. Still, will give Kareena a higher grade for her perfect played part of a hooker. And no, i am not complaining about those cheesy lines, well, they are meant to be like that. Rajkumar Yadav plays his part perfectly, but Nawazuddin shines as that limping guy who has eyes on everything around his street. 

That said, its now understood why the makers kept lowest possible profile in promoting the movie. Its neither too big surprise, nor an unforgettable experience. Overall, its a movie that holds you for its running time, but you don't bring much to home. Watch it for all its plus points (as mentioned above).

Tags : Talaash movie review, talaash review, talaash film review, talash review, reema kagti, talaash suspense, kareena kapoor ghost, rani killer, aamir khan inspector shekhawat

Jab Tak Hai Jaan : Movie Review

Sheer white snow, and the lady in red runs towards a church while our hero watches her without a blink - and so is the audience, feeling the magic of the maestro - Yash Chopra. The very first few frames give the viewer hint about how this three hour long feat is going to be - a typical, Yash mush, as already hinted in promos. That said, Jab Tak Hai Jaan, Yashji's last offering works best if you are a fan of his fairy-tale romance, SRK's charm and the frames devoted to beauty - be it nature or his heroines. 

 Initially, I wasn't too excited for JTHJ from the start. May be its because I did not liked YC's last Veer Zaara, or maybe its because of JTHJ's above average music. But still, somewhere I knew YashSRK can't go wrong. So here's my short take on what I liked and what not. 

Me Liked :

1. Those trademark Yash Chopra moments. Be it the introduction of the leading actress*, or the song picturisations** or the masterful lovey-dovey moments. 

2. Guest appearance of the Kapoors. Oh, how charming both of them are. 

3. SRK. Doing what he excels into. (why his name isn't Raj/Rahul here?). Even as Major Samar Anand, he is good as a stubborn guy with stubble. ;)

4. Ladeeez. The leading ladies. One is ethereally beautiful and other is so, well, like umm Geet ! ;) (know what I mean, no? Click here then) Well, though a bit annoying sometimes  Anushka steals the show with her typical, loudmouthed act. While Kat too, does give her bit perfectly - as a girl who makes promises to God every now and then but doesn't shy away going to underground club and even smoking in a corner on her engagement day. (very 'un-typical' for a yashraj actress, eh?)

5. Cinematography. There is no looking back when it comes to a Yash Chopra flick. Each frame is a masterpiece. Each shot is picture perfect. No?

6. The end credits. Moved me. 

Me no-liked :

1. Script? Whats with this department. I mean, come'on Adi, you could've done better job finding loopholes that even an average viewer can. For a 3 hour long flick, its a necessity. I didn't have any issues with fairy-tale like 'promise made to God', 'bad omen' things. But at least, something better as twist in the tale?

2. Music. Have already said out a lot about it in my music review, so nothing much to say about it. But really, its a lost opportunity. 

**3. As said earlier, picturisations of songs are good, except Heer and Ishq Shava. First stanza of Heer is wasted, playing in background of faltu scenes. And Ishq Shava clearly shouted 'I need 'dancing stars, please'. 

4. Akira - taking her role quite seriously. And goes motor-mouth every now and then. Even while defusing a bomb, and shelling out a vocal bombardment over Major Samar, commenting on his ladylove. Surprisingly, the stubborn major doesn't get annoyed at personal remark, instead, LOLing at that. 

*5. What's with that 'logic less' swimsuit entry of Akira? Adi-are you the culprit?

6. No white saaree in rain... no swiss snow.. Sigh... 

Well, there, one of the biggest release leaves mixed feeling. Swan song of Yash Chopra, leaves us longing for more, actually. 

Tags : Jab tak hai jaan movie review, JTHJ review, Movie review, katrina kaif, samar anand, meera, akira, anushka sharma, katrina kaif

Student Of The Year : Movie Review

Having read all the tweets on Twitter, about how unreal the movie is. Well, I want to say is - fantasies have always been a part of our movies. It always will be. Whats wrong with such movies if done properly? Fantasy shall not always set in past or in future. One can always write such story in parallel times. And Karan Johar exactly does that in Student Of The Year. Yes, the 'school' is 'more than perfect'. Every thing is exaggeratedly clean and shining. But hey, this is a movie, right? Not a documentary. Eat the candyfloss if you don't have diabetes. That's it.

I had zero expectations, so enjoyed it. Go, do the same.  

To keep it short, here, I have listed out - what I liked, and what not.

Me Liked :

1. The over-the-top-larger-than-life things the movie. Quite a change from oh-this-is-so-real-life movies throughout this year. (before you start bashing me, i loved all those movies btw).

2. Fantastic intro of all the three newcomers. No one can do it better than this. 

3. Leading men. Yes, surprisingly I liked Sidharth Malhotra's performance too. Varun looked promising since first promos itself and he does perform well, if not perfect. 

4. The competition sequences. Shout worthy. Picture perfect. 

5. Songs. Sounded average in headphone, looked great on screen. 

6. For a change - no boring 'first half' of second half (as many recent movie suffered from that thing), it actually gets interesting as the competition starts from that point. 

7. Hence, no dragged thing here, movie ends as soon as it should. Overall pace is perfect. 

8. Kajol. Kajol. Kajol. 

Me no-liked :

1. Alia Bhatt. I mean come'on. Why are you so confused? Why are you dressed like this? Why can't you even giggle perfectly? (and damn, how did you get 'standing welcome' from front benchers?)

2. Dear KJo. Atleast you could've spared homosexual jokes. I mean, how the hell could you do such silly jokes on Chintooji ??

3. Poorly written climax. Pointless dialogues by competent Kayoze Irani.

4. No SRK in Radha...

5. Trying to be loveble - JTYJN like get together of friends. Nah, didn't work as it should. 

Tags : SOTY Movie review, student of the year review, movie review, alia bhatt wallpapers, sidharth malhotra, varun dhawan, karan johar, dharma productions, kajol guest appearance

English Vinglish : Movie Review

Our very own Dolce and Namak has already seen Sridevi's English Vinglish. (and here, I am dying from excitement). See what's she has to say about it 

.....English Vinglish, by the way, is one of those rare Hindi films where you end up caring about all those secondary characters too because they feel like real people. I've seen those people in my own Business English classes, so it was nice to meet them again in a movie. Ironically enough (and a first for me), the non-desi characters felt more fleshed out than some of the desi ones. At least in the English class......

Ah !  

Read the full post HERE.

Can't wait !

Tags : English vinglish movie review, Gauri Shinde, Amitabh Bachchan Cameo, Sridevi comeback, English Vinglish review

Barfi ! : Movie Review

Ranbir. How can one 'not' love this guy? No resemblance to his (legendary) ancestors, he on himself has created his own charm, his own style of act that is inimitable. Oozing brilliance in each frame that proves that (stealing words of my fav critic) 'he himself is his own competition'. In the title role of Murphy, Ranbir Kapoor has lived the characters, so brilliantly, that perhaps even the creator of the character wouldn't have thought. 

Barfi! - is story of Murphy, a deaf mute guy and Jhilmil-an autistic girl. Oh, so now you will think of other movies that made you feel pity/ made fun of differently abled persons. Well, this one, is definitely not one of them. This, is simply, a fairy tale involving the two - and told by third protagonist. Shruti - who falls for Murphy (who wouldn't?). Murphy, despite of his disabilities, is specially abled. to make everyone happy, everything around him - go cuddly soft just because of him. His Charlie Chaplin inspired mannerisms are There isn't a single preachy / glycerin induced moment that makes the movie so original, far from typecast. And you know it from the very first - even before the first frame of the movie is shown. Highly innovative 'Picture shuru..' sung by Swanand Kirkire that is played during pre-title acknowledgements is the most innovative idea - giving hint of the originality of the movie. The storytelling makes you fall in love with everything going on the screen. Thank You Anurag Basu for bringing us back to childhood. 

Set in Darjeeling and partially in Kolkata, Ravi Verman's lens infuse instant love affair with the celluloid. There are times when there is hardly any 'talk' going on the screen. But the flawless camerawork speaks and moves you. 'The umbrella scene', is just an example of that brilliance when there is hardly any background score present. But Ranbir's act and the camera does make you cry. On the other hand, its Pritam's score that makes you drool over the ongoings. Its been ages since we heard something so cheerful and colorful as 'itti si hansi' and 'Kyon'. The movie wouldn't have been the same without the songs & the background score - fabulously done by Pritam. 

While Ranbir is - Love at first frame, Priyanka's Jhilmil - is someone that takes time to grow. But when she does, one would forget there is an actress on the screen. I had fear she might be like 'female SRK' in this one. Thankfully she's not. She's so perfect, its hard to imagine someone else on her place. Director's touch. And, another lady, oh my ! Ileana D'cruz is so ravishing and her act is equally, flawless. At each stage of her age, she portrayed perfect part. (Thank Lord, Katrina refused this role). Even, the supporting leads like - Akash Khurana as Murphy's dad, Roopa Ganguly as Shruti's mom, Barfi's partner in crime and Saurabh Shukla. Everyone has their own share to make Barfi - a heartfelt experience. 

Ofcourse, its not a perfect one. Nothing in the world is. Barfi has its flaws in second half, while the story unnecessarly gets itself into twists and turns and thriller like things. Even there is a lag in pace towards the climax. But handled by Basu and Kapoor - in the end forgive these glitches when you see Barfi and Jhilmil dancing to Chhau dance and later, Itti si hansi. You know its been a great experience when you leave the hall with broad smile and moist corners of your eyes. Barfi, a fairytale, a poetry, a delicious dish you would want to have again and again and that too, feeling free from guilt. Easily, the best of this year. 

Tags : Barfi movie review, murphy munna, ranbir kapoor, ileanan dcruz wallpapers, jhilmil, autism, autistic, anurag basu, pritam background music barfi, film review barfi, darjeeling toy train

Ek Tha Tiger : Movie Review

Salman, and his movies. Except some really bad one, I mostly like them. The fan-boy in me, always cheers for his performance, no matter how heavy masala movie it is. But this - is something different. Kabir Khan's Ek Tha Tiger turned out to be a disappointment for me. Despite of having 'Bhai' on board, the 'yrf'ied screenplay kills the experience that could have been quite a ride. 

Starting off slow (after a prolonged 'introductory fight of Tiger), the story takes ages to build up with even more slower mannerism of Tiger, aka Bhai. Sparks are only there when we see Katrina up there with him. And the chemistry of both provides relief in rather dud developments. They are charming to see together. Few lovely moments between the two (like the ball dance on stage) and then, a predictable twist. And interval. You know, what's going to happen next, in second half. 

And exactly, movie goes to that standard route. with some sight seeing of  'phoren' locales. It leave one wondering, what exactly is the story-line. What is the 'spy's mission'. Ah, forget it. You are watching a Yashraj Movie. Better title this as 'Love Story of a spy'. Slow second half is absolutely cringe-worthy with a daredevil spy falling in love so desperately that he might sacrifice his duties instead for his love. Ah..well. Finally, after half an hour into the film and there is some action. A fantastic chase scene, in which, surprisingly, Katrina outshines Salman. Absolute joy to watch her in such mode. The scene, followed by yet another longer chase, made me think 'oh, finally, now the film is on the right track' and voila !! The movie gets over ! Out of no where, a voice over declares the finale. Man !! If this is it, where is the premises, that was shown in the Trailer?

Salman, is as usual, a charmer without any doubt. With all that goofy acts mixed with action and humour. But here, Katrina impresses the most. Wish there could've been far better screenplay, the efforts of all departments would not go wasted. Even in Kabir Khan's previous - New York, all the candy floss was there, but it ran through a concrete story line, that is missing here. 

Final word : Stuff for die hard fans. Kat-Salman chemistry shines in between flawed storytelling, or the lack of it. Ek Tha Tiger, disappoints. Hoping for a better sequel, outside this production house. 

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