The Hunter Song Lyrics : Gangs of Wasseypur


Haillloo…  Hello…  Hello

I am a hunter and she want to see my gun
When I pull it out boy the woman start to run]à (2)

She beg me to see it, she beg me to show it
But when I reveal it, she want to run and hideà (2)

Ooooo… ooooo …  Oooo..
Put on your hunting clothes, let we go and hunt
Please don’t be embarrassed, you could touch it if you want.
All them young one around here, ask them about me.
I am the baddest gunman that they ever see
I am a hunter and she want to see my gun
Hum hai sikari, sikari sikari

I am a hunter and she want to see my gun
When I pull it out, the woman start to run

Tan tan tan tan tan tan tan tan.. Tan tan tan tan tan tan tan tan.. (2)

Daily goli nikle, automatic, tan-tan…  (2)
With one gun in my hand and the next one around my waist
If you see this young girl with da rude look on she face

I say as a hunter, I must be brave and strong
She say that she find that my gun extremely long

Hum hain sikaari, paacket mein lambi gun,

Dhaayein se jo chhootey tan man howey magan..

Oooooo.. ooooo.. oooo..

This girl harasses me, she won’t leave me alone.
But that kinda behavior I really can’t condone

Hai bahut Bhokali, na kabhi ho khali – (2)

This girl harasses me, she won’t leave me alone.
That kinda behavior I really can’t condone

She says that she’s sorry, she just want to have fun.
Then she asks me kindly, if she can hold my gun

I am a hunter and she want to see my gun
When I pull it out boy the woman start to run ]—(2)

Door tak hai phamous, kar de sab ke bebas—(2)
Usko milta darsan, jisko man mein hai lagan—(2)

Laagi lagan laagi lagan…    Laagi lagan laagi lagan..

Tags : anurag kashyap, bakar, bakchod, bakchod music, baqaiti, Bhojpuri singer, bhokal, calypso, film, gajab, Gangs of wasseypur, GoW, hindi film music, hindi gaana, hindi lyrics, hum hain sikari, i am a hunter ke lyrics, indie, jiya ho bihar ke laal, lyrics hindi film, MA mein leke admission, manoj tiwari, sneha khanwalkar, varun grover, hunter song lyrics, 

Ishaqzaade : Movie Review

It isn't a sin to make escapist cinema. After all, we, Bollywood lovers actually love Bollywood for that thing. We should not always expect 'slice of real life', from makers like Habib Faisal, who in past excelled with such works. But dear makers, when you try to make a mish-mash of both, real life and fables, things can go horribly wrong. As Ishaqzaade goes - out of control, stretched and painfully boring in second half.

The 'saga' of two lovers Zoya (Parineeti) and Parma (Arjun Kapoor) who are initially against each other because of family rivalary - starts of well. Though the 'Yashraj' flavor starts off showing its color in first half an hour itself. (Like how the otherwise firebrand girl Zoya, breaks into mush by just a silly show-off by sillier guy). The new boy - Arjun Kapoor fails to impress you from the very first frame itself. He looks weird, sounds weird, acts weird and what not. Still, you get involved in the ongoings just because of the girl. The fire-cracker Parineeti Chopra. She overshadows the boy whenever she comes on screen. (see, the screenshot is just so perfect).
I'll overshadow you, and you won't even notice ;)
There are some sparkling moments that involves Zoya in her best mood. Menacing Parma, on the other side, tries hard to make impact, but fails. Though because one part of the two is good, you enjoy whats going on the screen. Until, the story gets an expected twist. And expected after effects. Things go in nearly 'pause' mode in second half, where there is so much going on the screen, but that's just senseless. The story moves no where. It repeatedly goes in loop of chases and hideouts. And some creepy supporting acts, poor screenplay, that drags the movie towards a cliched climax.

Talking about supporting cast - Gauhar Khan (!!) is the best from the lot. (need I say/write anything more about this??) As a dancer/prostitute she brings in some masala and fun in two songs, and also, some 'yeah, i can act' scenes. Otherwise, there isn't a single face that can leave its impression on you. Same thing is applicable for the debutant Arjun Kapoor. Though he had not impressed me (or anyone in that case) by the promos, the movie adds nothing to his portfolio. His mixed bag looks (Abhi meets Ranveer meets Ranbir) is weird. His act is 'blah..'. No doubt why Parineeti eats him row when it comes to screen presence. As mentioned earlier, she is the real star of the show. Those twinkling eyes when she falls in love for the first time, those angry eyes when she's bad - oh my. Main pareshaan pareshaan pareshaan..

And that, reminds of another star of the show. Amit Trivedi. If the fabulous songs and Parineeti weren't there in this one, I would have left the hall after interval. Thankfully, the songs are choreographed / picturised well, so that it retains awesomeness of the songs. Loved loved the title song and Pareshaan on screen. Ditto, Ranjit Barot excels his background score in otherwise faintly directed sequences.

Overall, I went in without any expectations. But still, Ishaqzaade disappointed and bored me, which doesn't happen often. It seems Yashraj has infulenced Habib Faisal to 'make' the movie this way, who otherwise has a sharp edge in whatever he is doing. Sigh...a wasted effort.
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Teri Meri Kahaani : Music Review


The LPNY meets VS song - Mukhtsar has that addictive vocals of Wajid, ends up as the best of the album. (So, did you guess the further part of the review ?!) Sound is pretty much familiar reminding of recent hits. Allah Jaane is thankfully, good. Rahat passes 'screech-o-meter' this time. Lovely lyrics by Prasoon Joshi. Jabse mere dil ko uff - tries to recreate that retro magic, but lacks the punch despite of having Sonu Nigam on board. The qawwali Humse pyaar kar le tu - starts off well, but the 'under written' loop kills it. (or maybe, its just me?). Will look forward to see on screen though. Sugary That's all I really wanna do (phew?!!) is pretty okay. Shaan's voice does the trick.

All said, Sajid-Wajid seems to be on right track. Improving by the time. (I know, its late, but..) A soundtrack that is above average, where Prasoon Joshi helps them save the day.

My Picks : Mukhtsar, Allah Jaane.  

Tags: Teri Meri Kahaani, songs, review, priyanka chopra, movie, story, shahid kapoor, kunal kohli, prasoon joshi, wajid songs, sing, best of sajid wajid

Ferrari Ki Sawaari : Music Review

Jazzy, Life Yeh Mausambi si, strikes instant chord with its oldies charm with whistles and stuff. Mohan's voice perfects the laid-back feel of the track. Same old world charm reflects in next three tracks. Good Night, a lovely lullaby sung by Priyani Pandit is just so perfect as its instrumental version - Rusy's theme is. Amitabh Bhattacharya's words  takes you back to your childhood.  After 'So Ja Chanda', yet another memorable lullaby from VVC films. Title track, Chal Ghoome where Shaan instantly reminds of Kishore Kumar is a fun ride.

Next Maara Re - the cricket song (that I assume, features Sachin Tendulkar), did not work that quickly as other tracks did (as I am not into cricket), but repeated listens worked. Sonu Nigam-perhaps. 'That - Vidya Balan's item song', Mala Jau De - Mujhe Jaane De (means let me go) by Urmila Dhangar, is addictive with its authentic Marathi sound and vocals. One can't help move their feet along. And the highlight of the album is Ae Mere Mann sung by Shymantan Das. With endearing chorus, Das breathes life in Swanand's words. Fantastic one.

Surprise surprise this Pritam soundtrack is. There isn't a single track that can even hint about him being composer of this album. Hope he stays with such production houses and keeps churning such wonderful tracks.

My Picks : Ae Mere Mann, Good Night, Mala Jau De, Life Yeh Mausambi si




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Ek Tha Tiger : First Teaser

GO SALMAN BHAI GO !

Tags : Ek tha tiger songs, promo, movie, katrina kaif salman khan, ek tha tiger pictures, music by sohail sen, trailer of ek tha tiger, kabir khan, yashraj films

Shanghai : Music Review

Bharat mata ki jai is extremely catchy with its rhyming phrases. Written by Dibakar Banerjee, this sarcastic piece reminds of one such song in Benegal's Welcome To Sajjanpur. The singer ensemble led by Keerti Sargathia, alongwith 'dhoom dhadaam' percussions, makes it a powerful song. At one interesting point, it almost sounds like Rahman is singing (3:06).  As high this song goes, next one hits low. Imported Kamariya is 'just another' item song. (Sigh, I want this trend to stop). Is it necessary to add such songs in each movie?

Next, Duaa by Nandini Srikar, Arijit Singh and Shekhar - is sheer delight. Lovely fusion with minimal arrangements, the song haunts you after a few listens. Fantastic lyrics by Kumaar. And vocals, ahh, would love to hear more of Nandini. Shekhar goes solo in next Khudaaya, with backing vocals by Raja Hassan. The pathos led track ends too early, leaving listener wanting for more. Next Morcha, a situational one, anthem for revolution, would work better on screen. After two remixes, last original track Vishnu Sahastranam by Srivatsa Krishna, is just serene, as it should be. But wonder why it is title that, cause its just an ensamble of 'Vishnu related shlokas', not the Sahastranam.

Vishal-Shekhar trying their best to delete the 'peppy, soft rock, rock' based songs image. And succeeds, yet again. Shanghai,works, but yes, in parts.

My Picks : Khudaaya, Duaa

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