30 January, 2012

Catchy title track has that Vishal-Shekhar flavor. Starting off with piano piece, however it is addictive. Next Woh Dekhne Mein - is absolutely lovely. Ali Zafar croons with his typical ease with the notes, add wonderful minimal piano led sound in background - fantastic. Punjabi flavored Ting Rang works as a regular foot tapping 'dhol'ed track. Thehree Si Zindgi 's 'stadium' like sounds and soft rock base with (debutant) Aditi Rao Hydari's voice - makes a fine listen. (Surprise, I am that Ali himself has penned all songs !) 

The track I was waiting for - just because of the list of singers credited - Sanam Marvi, Hadiqa Kiani & Ali Zafar - turned out to be least liked - trance sound of Oo La La is just another 'play it loud on dance-floor' track. Aaja starts like a ghazal, A standard Ali Zafar stuff, that all of a sudden changes track and visits Bulle Shah's poetry. In a fast paced mood. Interesting. But my most favorite is the last one. The female acoustic version of Woh Dekhne Mein - sung by Aditi Rao Hydari. Loved loved it. And when she giggles and ''oo oooo"s , oh man ! Drool !! 

Music, lyrics and singer - the multi tasking Ali Zafar is the one to watch out for, in coming days. 

My Picks : Woh Dekhne Mein, Aaja.

Tags : London paris newyork music review, movie review, new york, ali zafar, anu menon, goldie behl, srishti arya, fox star studios, rose movies 
BEST FILM -  Zindagi Na Milegi Dobara
BEST ACTOR MALE - Ranbir Kapoor, Rockstar
BEST ACTOR FEMALE  – Vidya Balan, The Dirty Picture 
BEST DIRECTOR  - Zoya Akhtar, Zindagi Na Milegi Dobara

BEST DIALOGUE – Farhan Akhtar, Zindagi Na Milegi Dobara
BEST SCREENPLAY – Akshat Verma, Delhi Belly
BEST STORY – Sanjay Chauhan, I Am Kalam 
BEST EDITING – Huzefa Lokhandwala, Delhi Belly

BEST ACTOR MALE (CRITICS) - Ranbir Kapoor, Rockstar 
BEST FILM (CRITICS) - Zindagi Na Milegi Dobara
BEST ACTOR FEMALE (CRITICS) – Priyanka Chopra, 7 Khoon Maaf
BEST SUPPORTING ACTOR MALE - Farhan Akhtar, Zindagi Na Milegi Dobara 
BEST SUPPORTING ACTOR FEMALE – Rani Mukherjee, No One Killed Jessica 

LIFETIME ACHIEVEMENT AWARD – Aruna Irani
SCENE OF THE YEAR – The Dirty Picture 

RD BURMAN AWARD  - Krsna, Tanu Weds Manu 
BEST MUSIC – AR Rahman, Rockstar [A special 47 ct diamond studded 2500th trophy presented]
BEST PLAYBACK SINGER FEMALE – Usha Uttap & Rekha Bhardwaj, Darling, 7 Khoon Maaf
BEST PLAYBACK SINGER MALE – Mohit Chauhan, Jo Bhi Main, Rockstar
BEST LYRICS – Irshad Kamil, Nadaan Parindey, Rockstar
BEST CHOREOGRAPHY – Bosco-Caesar, Senorita, Zindagi Na Milegi Dobara

BEST BACKGROUND SCORE – Ranjit Barot, Shaitan 
BEST SOUND DESIGN - Nakul Kamte, Don 2 

BEST DEBUT DIRECTOR – Abhinay Deo, Delhi Belly 
BEST DEBUT MALE – Vidyut Jhamwal, Force
BEST DEBUT FEMALE – Parineeti Chopra, Ladies vs Ricky Bahl

BEST VFX – Red Chillies, Ra.One
BEST ACTION – Don 2 
BEST CINEMATOGRAPHY – Carlos Catalan, Zindagi Na Milegi Dobara 
BEST PRODUCTION DESIGN – Shashank Tere, Delhi Belly
BEST COSTUME - Niharika Khan, The Dirty Picture

Partho Gupte gets a Special Jury Certificate mention for his sensitive performance in Stanley Ka Dabba.



Tags : Filmfare winners list, 2011, 2012, idea filmfare awards, filmfair awards, pictures, videos, stage, dance, award nomination, nominees, list, srk, ranbir, host, rahman, 2500 


29 January, 2012

If done honestly, confession is nothing but subtle poetry.
If committed passionately, poetry is nothing but a subtle crime.
Does that mean confession is an impression of crime?
Srinagar.
One fine Christmas Eve.
Two guns in the room.
Three extra-ordinary faces of the society.
Soldier. Writer. Bandwalla.
They talk chips and chocolates. They sing fairy tales. They play dumb charades.
A human drama which eventually turns into a thriller - Kaafiron Ki Namaaz.

This is the synopsis of upcoming indie-movie Kaafiron Ki Namaaz. Have a look at this awesome pre-teaser. Piercing aalap sung by Nazim Arshad, instantly gave me goosebumps when I saw the video for the first time. Can't wait for the soundtrack to come out. 




Tags : Indie films, kaafiron ki namaaz, lourien motion pictures, indian small film

26 January, 2012

First, let me make it clear - I haven't seen the original Agneepath, so the 'inevitable comparisons' are not here [for a change]. Agneepath that I watched, has those perfect Bollywood acts, colorful dances with huge chorus, looong long shots and silhouttes for gloomy scenes. Welcome to the world of Karan Johar. Welcome to new Agneepath. 

To put it short - I loved it. The Vijay Dinanath Chauhan saga is refreshed with few new twists and new characters [like a menacing Rishi Kapoor, can you imagine him that way??!!] but still it makes an absolutely engaging entertainer. Everyone was murmuring about Hrithik playing the legendary the Vijay is the biggest risk, but no. I think he was the safest bet to play this character. Even in his silent expressions, he moves the audience. Add his remarkable screen presence, and I am totally drooled over his stupendous performance. Though there was a glitch, that I did not find the chemistry of him and Priyanka upto the mark. Actually, Priyanka herself wasn't upto the mark here. She seemed lost at many places. Or maybe, in this revenge revenge talk, the female characters are under-developed? [ditto with Zarina Wahab].

By the way, the one guy who surprised me was Rishi Kapoor. Man oh man, I've never seen him playing a bad guy. And here he was. Menacing, someone whom you'll hate immensely and at the same time-like too [while watching him dance, in a superbly choreographed Shah Ka Rutba]. Also the kid who played young Vijay - Arish Bhiwandiwala, superb act I must say. Om Puri is good, better than his Don avatar. Sanjay Dutt - I didn't liked him much. No. Or may be, it is a must that if one did not liked villain's performance, he has done his best work. But seriously, why did they put age old dialogues from Bhagvad Gita?? The dialogues given to him are so typical that sometimes it seems amusing. But thankfully, his screentime is lesser than what I had expected. But whenever Kancha and Vijay clashes - there are sparks. Literally. 

Technically the film is perfect. From gloomy dark moments to the cheerful larger than life Ganesha scenes [outstanding chorography in Deva Sri Ganesha and Shah Ka Rutba], everything is too good. Brilliant cinematography. And backed by thumping score of Ajay-Atul, the sound creates a great impact. Also, the two lovely tracks Abhi mujhe mein kahin and Saiyaan, moves you. Despite the face the movie is quite longer than recent usual movies, one don't feel its stretching or lagging at any place. What do one need else, but a perfect entertainer like this?

Dear 90s, welcome back. 



Tags : Agneepath review, movie review, agnipath, vijay dinanath chauhan, suhasini chauhan, mandva, mandwa, chikni chameli, priyanka chopra, katrina kaif, om puri, zarina wahab, child vijay, child artist name, young boy, Arish Bhiwandiwala